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Archive for august, 2012

Medieval Macedonia?

Exhibition in Brussels of so-called Macedonian Manuscripts is met with uproar

The republic of Macedonia is on of the odd results of the break-up of former Yugoslavia. Officially it was recognised by UN 1993 under the provisional reference of the Former Yugoslav Republic of Macedonia, sometimes abbreviated as FYROM. Macedonia is a member of the Council of Europe. Further, since December 2005 it has also been a candidate for joining the European Union and has applied for NATO membership.

However the use of the epithet “Macedonia” has consistently met with opposition from the surrounding countries – as Macedonia is also the name of a wider region, transgressing the current national borders, which were the result of the civil war in Balkan.

One of the thorny issues has to do with the question of whether there exists such a thing as a distinct Macedonian language and culture; a question of paramount importance for Balkan people who insist of their different national identities as respectively Serbians, Albanians, Bulgarians etc. as well as for the Greeks, which in the North encompasses a region simply called Macedonia.

514px Macedonia region map wikipedia 257x300 Medieval Macedonia?

From a scientific perspective there is no doubt that it pays off to regard nationalities as “Imagined Communities” (as famously phrased by Benedict Anderson”).

However, from a popular and political point of perspective such grandiose and sweeping ideas do not seem to have taken hold of the Macedonian imagination. Instead a very conscious effort is constantly being made to develop a specific Macedonian culture and identity in this small landlocked Balkan nation and to market it in a global and European context. All in order to secure a future official recognition  in the EU and the “right” to market the nation under the name “Macedonia”.

One of the building blocks in this endeavour is the idea that there exists a special Macedonian alphabet as well as language. Central to this effort was the work of Mirsikov, a linguist and dialectologist, who in the beginning of the 20th century wrote extensively about the Macedonian language, as it was spoken in the valleys of present Macedonia. Misirkov – although a controversial figure – is regarded as a national hero in FYROM. However most agree that this was a very inventive example of what in a scientific context might be classified as “an invention of tradition”.

Nevertheless Macedonia has succeeded in bringing this matter to the public agenda by contributing to an exhibition in Brussels of the so-called “Macedonian Medieval Manuscript Richness”; exactly how this has come about is naturally a well-kept secret in the scientific community studying these manuscripts and whishing to make the public aware of them ( in themselves and apart from the controversy they are of course quite interesting).

Nay says the Bulgarians – such a “thing” as a “medieval Macedonian manuscript” does not exist. The manuscripts, which will be showcased, are in fact nothing but Bulgarian, claims Bulgarian Politicians and historians. According to some Bulgarians this is nothing but a “Cultural Theft”. As opposed to this politicians and historians from Skopje are pushing ahead with the exhibition as a pars pro toto of claiming the existence of a “Medieval Macedonia”, issuing statements from the The Council for Macedonian Language, which vigorously tries to countermand the official opposition of the Bulgarian government voiced through its embassy in Brussels.

The exhibition will be showcased at the Royal Museum Mariemont in Brussels in October. Already the controversy has engendered a change in the exposition, which as of the 30th of August has been entitled a very bland “Traditions d’Ecriture” instead of the original title “Manuscrits macédoniens du XIII au XIXe siècle”. This has been followed up by an even more bland and non-controversial introductory politically cleansed text – so far not translated into English. According to this the exhibition will showcase 31 church manuscripts from Skopje, chosen among the collection of 270 old manuscripts.

Don’t say medieval history and studies has no importance!

Traditions d’Ecriture
Musée royal de Mariemont
Chausée de Mariemont
Brussels
10.10.2012-25.12.2012

Sources:
Focus Information Agency
Mina-Macedonian Intl News Agency

Otto the Great

In 962 the pope, Johannes XII placed the crown on Otto the Great (912 – 973) and his consort Adelaide in a grand ceremony in St. Peter’s in Rome

Not long thereafter Otto had a new seal created which showed him en face and with a crown, sceptre and orb. It is probably correct to consider the new seal the nearest thing we can get to a direct presentation of the ideas, which lay behind the coronation, which Otto apparently had sought after for more than a decade. As such the seal may be explored through a direct comparison with the old one, which Otto up until then had used. This showed him in profile and carrying a spear. So to speak fit for fight.

Thus, there is no doubt that Otto the Great wished to explore another type of lordship than what pertained to be a king. While kings in the beginning of the 10th century were elected or at least had to fight for their supremacy as warlords, emperors were made out of quite another silk (preferably purple).They were first of all masters of the universe and defenders of the church and faith.

Magdeburg LHA Kaisersiegel Otto I 0 300x300 Otto the Great

To develop and elaborate this idea, Otto the Great drew heavily upon the history of emperors from Augustus and forward. Not indiscriminately and never as a one-to-one copy. But to be emperor was to follow in the footsteps of long series of predecessors. It is definitely correct to talk about this creational stance as a reinvention of a very old tradition.

This story is the overall theme of a grand exhibition in the best of the German tradition and in Magdeburg, famous for being home to two other exhibitions of the same ilk (Otto der Grosse und Magdeburg 2001  and Das Heilige Römische Reich Deutscher Nation 2006.)

016 ottosiegel 1 300x300 Otto the GreatWhile both of these exhibitions took as their point of departure the life and times of Otto the Great and the aftermath of his reign, the current showcases the history behind the happenings in Rome 962. Thus the exhibition consists of five parts:

  • Augustus and the origins of Emperorship in Roman Antiquity
  • Constantine the great and Christian Emperorship
  • Byzantium: the Continuity of Roman Emperorship in the East
  • Charlemagne and the Appropriation of Roman Emperorship
  • Otto the Great and the Renewal of the Roman Empire.

True to tradition a massive catalogue with fabulous illustrations accompanies the exhibition (741 pages/4.3 kilos and in German) plus there is a scientific report from a symposium, which led up to the exhibition and where specialists might delve into the ideology behind emperorship more generally. Here it is possible to read long and carefully crafted explanations about the more than 300 artifacts, some of which are quite spectacular.

What not to miss?

  •  The imperial insignia from Palatin found in 2005 with the blue orb on top of a sceptre (306 -312)
  • The crystal orb from the grave of Childerich (481/82)
  • The Holy Lance, the sword from Essen and the Imperial crown
  • The purple certificate of the marriage between Otto II and the (somewhat) purple princess, Theophanu.

All are they artefacts, which symbolise the powerful aura of imperial culture. And which we normally have to travel extensively in order to see.

This exhibition is definitely a must see for anyone with an interest in medieval history – as well as our common European Future.

Otto der Grosse und das Römische Reich. Keisertum von der Antike zum Mittelalter.
Kulturhistorisches Museum Magdeburg
27.08.2012 -09.12.2012

Ausstellungskatalog:
Otto der Große und das Römische Reich. Kaisertum von der Antike zum Mittelalter
Herausgeber: Matthias Puhle, Gabriele Köster eds
Schnell & Steiner 2012

Kaisertum im ersten Jarhtausend.
Hartmut Leppin, Bernd Schneidmüller, Stefan Weinfurter eds.
Schnell & Steiner 2012

A small travel programme points to places in Sachsen-Anhalt where it is possible to get a sense of the life and times of Otto the Great accompanies the exhibition. The program can be found here. 

Imperial designs?

Large exhibition about the German emperor, Otto the Great, and the Roman Empire opened in Magdeburg this weekend amidst growing misgivings in the rest of Europe about the future role of Germany

Not so long ago the Italian newspaper “Il Giornale” owned by the brother of the Lombardian Berlusconi – printed a front-page showing Angela Merkel raising her right arm in a gesture associated with the Nazi-salute. As anyone could see the photo was severely tampered with in photo-shop (as was the benign waxen face of Berlusconi just below).

Nevertheless the newspaper found it appropriate to accompany an article about the so-called imperial designs of Angela Merkel with this photo, titling it “the Fourth Reich”, and claiming in the text that she is angling for the title of “imperatore de Roma”. It stands to reason the article raised a global furore in the media.

All this happened at the same time as curators, architects and historians were putting the finishing touch upon a huge “Landesausstellung” in Magdeburg, entitled “Otto the Great and the Roman Empire”. Of course, the exhibition has been planned for years in order to celebrate the anniversary of Otto the Great’s birth in 912 and his imperial crowning in 962 in Rome. Nevertheless it seems to be quite topical, although the curators has deliberately sidestepped in order not to raise the spectre of the second and third “Reichs” when the achievements of Otto the Great were so disastrously appropriated to construct the founding myths of Der Kaiser (1871 – 1918) and later Hitler (1933 – 1945).

Very prudently – probably in view of this, but hopefully also because she was otherwise engaged in cleaning up the sordid acts of the Greeks, the Spaniards and the Italians – Angela Merkel did not take part in the official opening of the exhibition in Magdeburg, which took place in the cathedral, where Otto the Great was entombed in 973. Official representation was delegated to Prof. Dr. Norbert Lammert, president of the “Bundestag”, who several years ago took it upon himself to be the official protector.

In an interview he gave to “Mitteldeutscher Rundfunk” on the day before the official opening, Dr. Lammert explained why he had engaged himself in this exhibition. In the interview he pointed to the fact that huge exhibitions such as this one might help to emphasise the need to develop a deep historical sense in the general public.

- It is often thought that the further back in history we go, the more history becomes a specialised job for historians. However, this is not the case, says Norbert Lammert and adds that he believes the development of a culture of memory is actually an important task for governements to lift.

In his opinion the history of Otto the Great and his reinvention of the idea of Rome and emperorship as a legitimate form of political institution has special relevance today in Europe. On one hand there is the need to have a legitimate form of universal government bridging the nation states. On the other hand it is necessary to balance this against the need for regional and national self-government. According to Norbert Lammert this is the exact challenge which Otto endeavoured to meet in the 10th century, but ends up adding:

-   However one challenge is ours alone: how do we legitimate such a type of balanced government democratically?

Which of course is a very legitimate and pertinent question in Europe 2012 where governments in Southern Europe right now tends to be led by technocrats instead of elected politicians.

Maybe the photo from the opening of the exhibition is a sign of  this new era. For Otto the Great to be crowned emperor was the same as to be divinely blessed with the job of defending the faith as well as the church and support the missionary efforts amongst the heathens. It was not his job to lead the administration of a realm geographically stretching from Rome to Schleswig. Maybe to be a European politician in the 21st century is to be the guardian of our memorial culture and the values of Europe – whatever they might be deemed to be in a global context of poly-culturalism. And less to take part in the nitty-gritty daily administration of the welfare of our future societies.

In which sense the politicians will be the future “emperors” while the technocrats will take the role of local national and regional administrators. It seems the exhibition in Magdeburg this autumn  will be well worth a visit. At least it raises a number of important questions which we might have to ponder in the future.

Karen Schousboe

Read a presentation of the exhibition

 

Richard III

British archaeologists hope to find the lost remains of King Richard III by digging up a car park believed to be his burial site.

Richard III – the small and slender villain of Shakespeares play died at Bosworth Field on the 22 of August 1485. The Lancastrians and their leader, Henry Tudor, won the battle. Following the battle, Richards’s dead body was transported back to Leicester and placed on public view. Subsequently he was buried in the choir of the Franciscan Church in Leicester

However, this Franciscan priory known as Greyfriars, was demolished in 1538 when the monastery was dissolved, and its roofs and lead was sold. In 1612 a mansion was built on the site and a stone pillar was erected to mark the site of Richard’s grave. After 1914 land and gardens were sold to the County, which erected offices around it and even this marker disappeared. Finally it was turned into a car park and tarmaced in 1940. The only physical remnant of the church is a small piece of a grey stone-wall, which can be seen next to the attendant’s hut in the car park.

Richard III dig 300x224 Richard IIIAfter the dissolution in 1538 it was rumoured that the remains of Richard were thrown into the River Soar. However researchers at the University of Leicester now think they be able to discover the actual site of the grave, situated somewhere beneath the car park. Even if Richard no longer lies there it is important to determine the actual layout of the church and the original position of the grave, says Richard Buckley, Co-Director of the Archaeology Service at the University of Leicester.

- The big question for us is determining the whereabouts of the church on the site, and also where in the church the body was buried, says Richard Buckley, co-director of Leicester University’s archaeology service, adding: “Although in many ways finding the remains of the king is a long-shot, it is a challenge we shall undertake enthusiastically. There is certainly potential for the discovery of burials within the area, based on previous discoveries and the postulated position of the church.”

If any remains are found it is hoped that it will be possible to have them undergo DNA-analysis at the University in order to compare them to the findings of Dr. John Ashdown-Hill, author of “The Last days of Richard III”. This very detailed (and recommendable) account of the last months in the life of Richard III presents the reader with not only a nuanced description of his daily routines as a king, but also a very interesting description of his actual burial and how and where it took place. Another account by David Baldwin is available here.

One of the initiators of the whole project is Philippa Langley, who is currently researching for a film, which is meant to tell the “real” story of Richard III, which according to her hides behind the spin of the Tudors who took over from the last Plantagenet. She is a screenwriter and member of the Richard III Society as well.

Visitors will not be able to view the dig once it commences, as it will take place at an operational council area, which is not publicly accessible. Further it is necessary to keep the dig as a so-called clean site in order to be able to get valid results from any DNA-analysis. However plans are underway to let the public in on the site, when the excavation culminates on the weekend of the 8th – 9th of September. If the remains of Richard III are identified, the plan is to exhibit them at Leicester Cathedral after they have been examined in order to gather information about his height, his build (his hunchback?) and the manner in which he was killed. It is presumed that this will also induce a massive logistical exercise in order to provide Richard with a burial that is appropriate to his status as an anointed King of England, whether at Leicester, Windsor or Westminster; or maybe York where he probably planned to be entombed together with his wife and son.

Read more and get the link at the Press Office at the University of Leicester and follow the news on the blog

Video interview with archaeologist Richard Buckley

Richard III Society

Ricardian Britain – A Guide to sites associated with Richard III. By Beth and Phil Stonen. Richard III Society 2011

Recent books about about Richard III

Richard III
David Baldwin
Amberley Publishing 2012

The Last Days of Richard III
John Ashdown-Hill
The History Press Ltd 2010

Richard III and the Murder in the Tower
Peter A. Hancock
The History Press Ltd 2011 (2. Edition)

Richard III: The Maligned King
Annette Carson
The History Press Ltd 2009

Richard III and the Death of Chivalry
David Hipshon
The History Press 2009

Richard III (Routledge Historical Biographies)
David Hipshon
Routledge 2010

 Extended booklist of publications about Richard III may be found here

Historiale at Berlin

History festivals may be the way forward to “sell” history in a serious yet popular manner

The Historiale in Berlin has the ambition to be the largest historical festival in Europe. Since 2006 The foundation behind this festival has been the driving force behind a magnificent staged series of events focusing on a wide variety of themes, from “Napoleon in Berlin” to “Haupstadt der Spione”. This year the Historiale celebrates the 775 anniversary of Berlin from the 20th to the 26th of August with a huge mixture of musical events, theatre-performances, lectures, public debates plus guided tours and much more. At the end of the week there will be a large parade where people who are willing to dress up can take part.

A significant part of this takes place around the Nikolaikircheviertel where there is also a marketplace. In the Nikolaikirche itself an exhibition tells the story of this 800-year old building and the personalities, who lived and worked there. At the same time eight small exhibitions along the former city walls show the results from excavations which were carried out in connection with work on the Metro.

However, the gate to the festival is the exhibition in the Berlin Museum where the changing fortunes of the city are told through a combination of multimedia installations, audioguides etc. For the really interested it might be worthwhile to start out by visiting the City Museum of Berlin (Märkisches Museum) where amongst other fascinating thing large models of the historical city from its early beginnings may be studied in detail. For the medieval buff the museum in itself is interesting: the building is more than a 100 years old and in full-blown “historismus” style with a tower built out of red brick and a “Gothic Chapel” with a remarkable collection of medieval sculptures; all newly restored to its former grandeur. At the Museum annex at Ephraim-Palais there is a special exhibition “Berlinmakers ‘n’ shakers. 775 Portraits – One Network” which showcases seven hundred present-day and seventy-five historical figures. Their stories shed light both on the lives of Berliners and also on the uniqueness of Berlin.

Tired of all the noise and jostling from more than 100.000 guests and participants? Maybe it is time to take the train out South and visit one of Berlin’s more hidden gems: The village of Düppel (Museumsdorf Düppel). Here guests can experience a medieval village complete with a fully-fledged farm cultivated with traditional three-year rotation and showcasing old grains as well as medieval gardens. On Sundays volunteers enliven the place with their handcrafts. All scientifically well-documented in an orderly way. (The Museumsdorf is part of the Stadmuseum of berlin).

The program for the Historiale

 Accompanying this years “Festivale” is a book about “Berlin im Mittelalter”:
 Berlin im Mittelalter: Berlin/Cölln unter den Askaniern. By Norbert F. W. Meier. Berlin Story / Alles Uber Berlin 2012