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Archive for oktober, 2012

Historical Royal Palaces

A curious charity runs five Royal Palaces as strictly business. And does a very good job…

On behalf of the British Nation, the Queen owns amongst other assets the Tower of London, The Banqueting House plus Hampton Court, Kensington and Kew Palaces. However, the daily business of catering to these iconic sites is left to a private registered charity on behalf of the Secretary of State for Culture, Media and Sport.

On a yearly basis this charity – Historic Royal Palaces – manages the set-up behind the more than 3,5 mill people, who visit these palaces, which are among some of the greatest ever built.

The charity does this with the help of the income from visitors, members, donors, volunteers and sponsors. It is important for the foundation to let it be known that it does not receive any funding from neither the British Government nor the Crown.

According to the latest Financial Statement (2012) this generated £69 mill, an increase of nearly 11% on 2011. During the same fiscal year the numbers of visitors grew with 4%, numbers of volunteer-hours grew with 12%, while income from the retail shop garnered an additional 8%. Quite astounding figures in a year, when the financial crisis has put a general damper on the UK economy overall generating no more than 0.8% growth.

Panache
How is it done? According to the mission statement this achievement is a reflection on the “panache” – that is the flamboyant manners and reckless courage – which should characterise the work of the “Historical Royal Palaces”. And indeed, visitors at the different locations are met with volunteers playing their roles to perfection working to both enlighten and entertain in surroundings coloured by any and all stimulants, which might tickle the senses.

Henry Crown Lg 2 300x192 Historical Royal Palaces

The replica crown of Henry VIII

The Crown of Henry VIII
One such element is the exhibition of the faithful replica of the crown of Henry the VIII, which will go on show at Hampton Court Palace at the end of October 2012. No doubt it has been the topic of endless discussions whether to use the money or not for making a faithful reproduction, where even the gems – apart from the large diamonds – are true rubies, emeralds and pearls. Nevertheless the decision was made to go through with a nearly authentic replica; probably the leaders of the project knew that any tacky reproduction would garner exactly the kind of disappointment, when such “crowns” are on show (as e.g. in Prague); probably the point was also made, that many visitors to the Tower become really irritated of paying more than £20, while being quietly told to “move along”. Hopefully this will not be the case at Hampton Court Palace, where the replica crown will be on show in the newly restored Pew in the Royal Chapel.

Puritans might feel that it is all too overwhelming. And yes, it might seem as if the inspiration from the Tudor TV-series have gotten the better of the creative managers of the Royal Palaces. On the other hand, there is no doubt that the infamous Tudor Series has a part to play in the present growth. From 2007/08 – 2011/12, while the show was aired, the number of visitors at Hampton Court Palace grew with 18%. But then, we are told that not only showmanship is a governing principle; to this should be added Guardianship, Discovery and Independence. It is a difficult balance to achieve.

The future
This last year has seen the conclusion to a number of projects: The reopening of Kensington Palace and the royal kitchens at Kew Palace plus the new exhibition of the Crown Jewels at the Tower. However it does not end there. 2014 will be the tercentenary of the accession of the first Hanoverian monarch, George I. Plans are to redecorate and refurbish the Baroque Palace at Hampton Court as well as re-present the King’s State Apartments at Kensington in order to tell the story of the very early Georgian Court. Finally the Orange Garden at Hampton will be re-laid. At the same time the charity is seeking status as a research foundation, thus forging better links between showmanship and guardianship.  (As  is the case with the reconstruction of the crown of Henry VIII, which built upon detailed research by Dr. Kent Rawlinson, one of the curators).

All in all the Historical Royal Palaces is a remarkable business venture. It tells the story of how it is possible to make history fun and entertaining, while at the same time keeping a healthy respect for the guardianship of pieces of precious heritage. Indeed it demands the ability to balance on a tightrope!

Read more about the Crown of Henry VIII

Henry VIII’s Crown

The Tudor imperial crown – a crown with arches – was originally made for either Henry VIII or his father. It was meant as a more elaborate version of St. Edwards Crown, which was traditionally kept at Westminster Abbey. From here it was handed out to the king for his use in the processions at the large religious feasts plus the State Opening of Parliament. But kings needed more crowns – for processions when entering smaller cities or towns or while at war; hence the “new” crown, which later came to be used in the coronations of his children.

charles I with crown 183x300 Henry VIIIs Crown

Charles I by Mytens

The Tudor crown was first described in an inventory in 1521; later inventories (1547 -49) added even more details. Further, Daniel Mytens carefully painted it in his portrait of Charles I (National Portrait Gallery). Another painting of the crown may be found in the remarkable mural of Henry VIII, which was found last year at the former home of Bishop Cranmer in Milverton. The gold in the crown weighed 3,4 kilo and it was embellished with 58 rubies, 28 diamonds, 19 sapphires, 2 emeralds, and 168 pearls. Thus, although it was melted down after the revolution in 1648, the details of its design has always been rather well known.

This crown has now been faithfully recreated by the Crown Jeweller’s master craftsmen on commission by the “Historic Royal Palaces”, an independent charity in charge of five royal palaces, amongst those Hampton Court. The crown will be exhibited there in the Royal Pew, allowing visitors to enjoy access to this balcony for the first time in seven years. The Royal Pew at the Chapel Royal has recently undergone extensive conservation through which the original frame and panelling of the pew was discovered. End October it will hold the new exhibit.

henry VIII mural 200x300 Henry VIIIs Crown

Henry VIII in Milverton

The replica crown has been designed according to detailed research by Dr. Kent Rawlinson, who is Curator at Hampton Court Palace. In the press release he says:  “Using the original Tudor inventories and Mytens’ painting of the crown, we’ve been able to identify not only the basic shape of the gold frame of the crown, but also the original position of each of the 344 jewels and pearls. It’s remarkable to be able to know and discover so much about an object which was destroyed over 350 years ago – bringing a lost English royal treasure back to life!”

The replica crown has been handcrafted in silver gilt with fine metalwork detail, and set with 344 specially selected jewels – a mix of pearls, precious and semi-precious stones bought in the Far East. The only substitute was rock crystal for the large diamonds. Each stone has been cut according to medieval tradition with a curved domed surface. In addition five tiny enamelled figures are set within each fleur-de-lis, representing the Virgin and Child, St George, and the statuettes of the three English kings, which were added after the reformation, signifying the new status of Henry VIII as supreme head of the English Church.

The price of the recreation is as yet undisclosed, but was paid for by the charity.

Read more about the Crown at Hampton Court Palace

READ MORE:

The Inventory of King Henry VIII: Textiles and Dress
Maria Hayward and Philip Ward
Harvey Miller Publishers 2012

Dress at the Court of King Henry VIII: The Wardrobe Book of the Wardrobe of the Robes Prepared By James Wrosley In December 1516, edited from Harley …
Maria Hayward
Maney Publishing 2007